Turn it up - 5 tips for better musicianship

May 29th, 2006 · Posted in Uncategorized ·

I used to hate playing in front of other people, and I never used to improve my skills. I played the piano for about 10 years before getting a bass guitar. I’m not the best bass player in the world (by a long, long way), but these things I’ve learned let me play well enough that I’m not asked to leave the bass at home. Hopefully they will help you too.

1) Play with (and for) others: Playing by (and for) yourself will never get you performing well. You can always stop if you make a mistake and keep practicing until you get it perfect. But it’s better to play middlingly well and entertain and uplift people than it is to play perfectly for no-one but yourself. Join a band, or jam with some friends, it doesn’t need to be in front of thousands, but playing with others gives you someone to be encouraged by and to encourage with your music.

2) Turn up the volume: Your volume knob goes to 11 for a reason - so people can hear you. When I first started playing, I used to turn myself right down and hide in the background. If I hit a wrong note, I played even softer. You’ll never improve until you turn yourself up, when you play loud, you have to learn quickly to cover your mistakes. And just because you don’t play exactly what’s written doesn’t matter. Getting thrown in the deep end here will help - it’ll also help you learn when you need to play to get the biggest impact.

3) Don’t worry (be happy!): This is actually two tips in one. Unless you are playing in front of a group consisting entirely of professional music critics, the only people who will know when you make a mistake are you and (only maybe) the people you are playing with. Don’t stop. That lets everyone know that you’ve mucked something up. If you can’t keep up with that fancy riff, just play the notes you can. Keep it moving and pick it up when you can.

A smile always helps too, if you enjoy yourself you’ll find it easier to get into a state of flow that will help you hit your rhythm right, and really make a joyful noise.

4) Turn down the volume: Music with all instruments all the time has a special term: a mess. If you want to play better, listen and figure out when not to play - gaps in the noise can actually make a bigger splash than constant noise. Walls of noise don’t give the mind a chance to think. Play softly when you’d normally play loud, let another instrument take charge. The other musicians will thank you for the opportunity and your sensitivity in playing. Don’t turn yourself down until after you’ve turned yourself up first though.

5) The bass guitar is a rhythm instrument. A bass player can get as fancy as they want, playing the melody and bringing harmonies, but their primary purpose is to act as the spine for the music. The drums set the beat, and the guitar and piano play the tune, but the bass is what drives everything along. If you are a bass player and spend too much time fiddling around and bringing the melody, cut back and make sure the rhythm is right. You shouldn’t be in the foreground, people should not even notice you are playing if you are doing it right. You emphasise the beat, and pull the rest of the music together, but the bass isn’t a lead instrument (well, there are exceptions, but I’m talking in general here). If you don’t play the bass, help your bassist by not sitting in his range (play low occasionally, but don’t remain down there all the time), and don’t fight him, but let him drive the rhythm of the song.

RodeoClown: Bassist Extra-ordinary (or not).

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Better musicianship also comes with having a really good musical instrument to play. Electric guitars as well as acoustic guitars are very popular musical instruments to have and maybe even a set of drums would work too.

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10 Comments to “Turn it up - 5 tips for better musicianship”

Spannalise Said:
May 29th, 2006 at 10:32 pm

yeah…
whats the bass playing lead exception? :P

RodeoClown Said:
May 29th, 2006 at 11:04 pm

Skillet - saw them live and was trying to figure out what was odd about the lead singer - then I realised he was playing bass, and leading with it.

IT was a sweet bass too.

Jason Said:
May 30th, 2006 at 2:43 am

You need to update your feedlink in Feedburner. I think it’s still directing to the old site or something.

RodeoClown Said:
May 30th, 2006 at 6:38 am

It’s pointing to the right place, not sure why it took so long to update…

Spannalise Said:
May 31st, 2006 at 7:08 pm

what about relient k?

RodeoClown Said:
May 31st, 2006 at 8:48 pm

They don’t have a lead bass…

Mick Said:
June 1st, 2006 at 9:27 pm

aaah, if only it was so easy! Some excellent ideas there that i’d love to be able to put into practise…

but turning up the volume??

Playing in public??

I’m not good enough for that…

(sinks down into vicious cycle of self-doubt and never improves his guitar playing for the rest of his life…).

RodeoClown Said:
June 2nd, 2006 at 8:08 am

“And that is why you fail…”
-Yoda

By public, I don’t necessarily mean in front of 10,000 screaming fans, at a church meeting is cool, and I’m not saying not to practice first either - practice (with the volume turned up) with a group and then play.

It’s worth trying (and I’ve heard you play guitar at church, so I know you aren’t that bad :P

Steve Dude Said:
June 7th, 2006 at 9:46 am

Like your 5 tips comments, the Bass guitar can be a complex instrument to play because the bass is right in between holding the groove with the drums and keeping in tune with the guitars…stop unnessarsarily in the middle of a song and the guts has gone. Also with Bass there are very different techniques within different styles of music for example jazz bass playing, I joined a jazz band and I definetly dont have any jazz smarts and coming from a rock/blues environment it is a whole different world so my approach was how do jazz bass players get their sound?..look how they hold their hands?, how high the bass is held on their body?, how picking/playing of the strings seems to be real close to the bridge. I noticed that emphasis is made on staccato notes (not very much sustain more of a short played note) and as jazz muscians seem to have bizzare theory smarts I just played heaps of chromatic runs in between main note/chord changes. Then you have slap bass, thump with your thumb pop with say with your index finger, the thumb (thump) can follow the bass drum with popping can follow the snare, this can be a frustrating technique to get the hang of but when a drummer is wanting to be alex van halen in the middle of a blues number I find I can bring them into line with hitting basic notes with your thumb lol. Country and western, for me its like watching paint dry, done my fair share yet play rock n roll basic riffs and it can sound over done yet I do have to apply concentration so that I dont over do it.
The drummer and the bassist are a husband and wife team because you arent really at your full potential till you get in with your groove soul mate.
There are styles of music that dont worry about/need the bassist/drummer relationship.
There are great tuition videos out there..Louis Johnson for slap funk bass playing, Billy Sheehan for tapping and other interesting techniques, Stu Hamm for chords, slapping and very freaky country and western ideas, Jaco Pastorius for jazz.

I have found out that some people insist on “being self taught” yes you are but if you learn from whatever source, you dont have to imitate that person/idea etc exactly, just grab the basic idea and incorporate it into your style..Heavenly Father let us have our own individuality so much that you are you and your style is you, Im influenced by Geddy Lee from Rush, Billy Sheehan of Mr Big, Robert Trujillo formerly of Infectious Grooves (he sounded better there than Metallica lol) and a 1000 other bass players but I sure dont sound like them…..

yet at 42 years old I am still learning and if the neighbours 19 year old guitar shredder plays something that I cant do or havent heard of before Im the first to knock at his door and ask “can you show me how to do that?”.

Age as a restriction to learning/playing is not cool, I hammer geetar more than bass yet I learnt how to imitate a police/fire siren sound two weeks ago, Im told by my wife that I have a compulsion addiction to Eddie Van Halen…true and then some…but I dont sound like him because I am me and whatever it took in Van Halen’s life to shape him and his technique sure is different to mine….Music is one of Heavenly Fathers gifts, I love it and I always bend my knees, pray and give thanks for blessing me with life.

RodeoClown Said:
June 7th, 2006 at 10:21 am

Thanks for those extra hints Steve Dude :)

I have a wierd, self-taught style, I don’t have the theory skills of a jazz player, but I pluck the strings like one (and hold the bass up high), mainly because the guy who showed me the basics plays like that.